In the summer sun, there’s two things you need. An ice-cold beverage of choice, and a little something to read. Here are some of our top summer book recommendations. Whether you’re into romance, drama, horror, thrillers, science fiction… we’ve got something on this list for you. 

 Crime – A Cyclist’s Guide to Crime and Croissants by Ann Claire

Cosy mystery. Set against the backdrop of the stunning French countryside, crime and murder build up, hitting close to home for recently migrated Sadie, who is left grappling for clues as her bicycling tour company comes under scrutiny when her old boss ends up dead. 

Drama –  Apples Never Fall by Liane Moriarty

A tense family drama. When a successful family begin to crumble and crack, questions arise. But do the Delaney family want to solve these mysteries, when the now-grown children realise that the most obvious suspect in their mother’s disappearance is their own father? 

Historical – Glorious Exploits by Ferdia Lennon

Set in 412 BC after the failed invasion of Sicily. Two local potters begin to visit prisoners, enticing them to recite lines from Euripides in exchange for food. With little real work to do, Lempo and Geldon decide to perform a play with the help of the prisoners. But as the show date creeps closer, it becomes difficult to distinguish between enemies and friends. This historical tale will have you hooked. 

Romance – Beach Read by Emily Henry

Two writers. One holiday. A romcom waiting to happen… Both broke writers suffer from crippling writers block, amongst other things.  Despite their different writing styles, the pair place a bet to swap genres and see who gets published first. You could say this is the perfect ‘Beach Read’.

Horror – Nightbitch by Rachel Yoder

A transformation begins. Motherhood is hard, tiring, and exhausting. At home full time with a two-year-old, this protagonist’s loneliness is suffocating, but her hobbies are changing. Instead, when her child won’t rest, she begins to gain new things… New senses, new appetites, new instincts. And from deep within herself, a new voice begins to howl. This hilarious and brilliantly unique horror tale will have you at the edge of your seat. 

Mystery- The Wrong Daughter by Dandy Smith

What would you do if you came home to find your daughter missing from her bed? When Caitlin and Olivia’s parents leave them to go to a dinner party, they return to find one bed empty. Their eldest daughter is gone. Until a now grown Olivia steps forward. But is she all that she seems? And is Caitlin telling the truth about what happened that night? Dark, and chilling, this page turner is not one to be missed this summer. 

Thriller – Yellowface by R.F Kuang

How far would you go to have commercial success? When failed writer June Hayward witnesses her rival Athena Liu die in a freak accident, she sees her opportunity to get what she wants, and takes it. Stealing Athenas final manuscript and publishing it as her own, she also begins to steal Athenas identity. An identity that is not hers to claim. This best seller will certainly keep you entertained, and shocked at the extent some will go to for success. 

Murder Mystery:Murder on Stage by F.L Everett  Set in 1940’s England, detective Edie York focuses on solving a suspicious murder in the midst of the Blitz. Warm, cozy and compelling, this page turner will have you on the edge of your seat as you dive into a world of crime. Do you have what it takes to solve a murder? This is the third book in the Edie York mystery series, and they just keep getting better.

Dystopian – The Blueprint by Rae Giana Rashad

Maybe dark dystopian futures are your thing? Set in a dystopian Texas where choice no longer exists, Solenne Bonet has an algorithm determine her occupation, spouse, and residence. She finds peace in penning the biography of an enslaved ancestor from 1800s Louisiana. But when paths weave with high-ranking government officials, she must decide whether and how to leave behind all she knows.  

Science fiction- I Have No Mouth and I Must Scream and Other Greatest Hits,  by Harlan Ellison

 Now this book is for anyone who wants to have an existential crisis pool-side. Filled with five stories, each unique and slightly terrifying, these science-fiction futures are certain to entertain. But most importantly you won’t want to look at technology for the rest of your holiday duration. 

Fantasy- The Midnight Library by Matt Haig

A magical library filled with secrets. How would you look back at your life? And what would you regret? On her last day on earth Nora finds herself teleported to a magical library. Where she is given the chance to undo mistakes and look at all the other lives she could have lived. But is it too late, things have already gone from bad to worse? And with unlimited choices and possibilities what is the best way to live? 

 Another article you may like: Getting your car ready for a summer roadtrip

 Comedy – I Hope This Finds You Well by Natalie Sue 

After an unfortunate IT error allows Jolene access to all her coworkers emails and private messages, initially she is horrified. The less she knows about them the better.  However, once she realises the power she now holds, Jolene uncovers a lot more than she bargained for. Filled with humour and a little romance, this is one for the pool-side.

 Fiction- Martyr! by Kaveh Akbar

Not all journeys’ have to be to outer space. Cyrus has always been lost. He’s grown up haunted by the mysteries of his past, losing his mother whose plane was shot down. This tale explores how revelations and new people can change your life, whether it be for the good or the bad. 

Non-fiction –It’s Not Hysteria (Everything You Need to Know About Your Reproductive Health) by Karen Tang

Women’s health often flies under the radar. Many of us know what it is like to go to the doctors with a feminine issue, and feel unheard. It’s Not Hysteria explains crucial information about abnormal periods, PCOS, endometriosis, and fibroids, to more complex aspects of gynaecological care like fertility, sexual health, and hysterectomies. This book empowers readers to act and advocate for themselves with healthcare professionals, and get talking about reproductive health.  

Isabella Poderico

Overly enthusiastic and obsessed with everything a little nerdy, Isabella has written about everything from movie premieres to politics. She can often be found, as many writers often are, sitting in front of her laptop typing away obsessively in an extortionately priced independent coffee shop.

The post Summer book recommendations 2024 appeared first on Silver Magazine.

Inspired by her love for history and cosy crime, Everett dreamed up Edie York. A Manchester-based reporter stuck answering telephone calls at her local paper. Until she gets caught up in the death of a Home Guard soldier.

Everett shares how her book deal came about, after thirty years as a journalist, how WWII became the setting for her series, and the solitude that comes with being a writer. 

Who are you, and what’s going on?

F. L. Everett

I’ve been a journalist, columnist and editor for thirty years. I’ve self-published a novel and had several non-fiction books published. But during the pandemic, I turned 50, my son had long left home, I’d finally rejected the terrifying concept of getting a full-time job, and I decided it was time to concentrate on a novel I first started ten years ago, and see if I could get it published.

Writing fiction is all I’ve ever wanted to do – but with the need to earn a living it’s been hard to give it the time it needs to succeed. I felt it was now or never, so I sent a tweet in reply to publisher Bookouture’s request to see new synopses, and they liked the idea enough to follow it up. Two years later, I have a three book deal to write the Edie York series, about a brave and nosy young journalist in WWII Manchester. Who keeps getting drawn into murder investigations.

The first is out on 21 September, and book two is already written.

What aspects of your life experiences do you find yourself drawing upon most frequently as you craft the characters and plots in your crime novels?

I have been a journalist on a local paper but obviously not during WWII. People don’t change that much though, and I’ve met many people who have lent a little of themselves to the characters. In Annie, Edie’s best friend, there’s a bit of my own dearest friends – people who can sometimes annoy you, but you love them enough for it not to matter. I loved writing about Edie’s newspaper colleagues, and I believe I’ve made them up – but who knows!? 

Her editor, Mr Gorringe, is a stickler for grammar – and so is my dad. So I think I’ve probably borrowed little bits here and there. In Lou, my irascible detective inspector, I can see certain elements of my husband. I didn’t think I was anything like Edie – until I described her to my best friend (‘small, nosy, won’t take no for an answer’) and she snorted. 

In terms of plot, that really is made up. But I know Manchester very well, having grown up there and lived nearby until ten years ago. I now live in the West Highlands, but I go back all the time to see family and friends. The book is a bit of a love letter to my home town. I do a lot of research to find out where certain buildings would have stood in 1940, where was bombed and when. It’s given me a new appreciation for the buildings that stayed standing!

Could you share a glimpse into your writing process? How do you go about developing a crime storyline that keeps readers engaged?

I wish I had a process. Basically, I begin with the victim, and the circumstances of the murder scene, then work backwards to figure out who killed them and why. I don’t know if this is the normal path for a cosy crime writer, but it’s the only way I can do it. I spend a lot of time on long dog walks, thinking about alibis and red herrings, and I make voice-notes on my phone, like Alan Partridge. But I am a plotter, not a ‘pantser’ – I can’t imagine making it up as I go along. 

I begin with the victim, and the circumstances of the murder scene, then work backwards

Before I start, I write a detailed synopsis, then I break it down into chapters. It makes the process much easier. Did I mention I’m a Virgo who packs two days before a trip, and likes to do my washing on holiday, so I come home with clean clothes? Yeah. These things go deep. 

I also discuss certain things with my husband Andy, who has worryingly acute insight into how a killer’s mind might work. But largely, I just do what I’ve always wanted to do. Sit at my desk, or the kitchen table, with the cat and snacks nearby, and make it up. 

Crime novels often involve intricate details and suspenseful twists. How do you approach research to ensure your stories are both captivating and authentic?

First of all, I have an amazing historian friend, Catherine Pitt (of Pitt Stops, on Facebook). She’s been absolutely invaluable with the second book, which is quite complicated and needed a lot of research. I’d message things like ‘could you get a train to London from Manchester in April 1941 without stopping?’ and she’d find out within five minutes.

I also read a lot of WWII social history books. I have an entire bookcase dedicated to them, and I find myself ordering even more. At first it was just the basics, but now I’m getting into the obscure, white-label imports. I love reading about it, and I hate the feeling that I might be getting things wrong. I like my fiction to be rooted in genuine history. I also watch films set during the war, like Mrs Miniver and This Happy Breed. They’re invaluable for getting dialogue and class issues right. I have been to the Imperial War Museum North in Salford and the Police Museum in Manchester, both of which are incredible repositories of historic research. And then, of course, there’s Google. 

I love reading about [WWII], and I hate the feeling that I might be getting things wrong. I like my fiction to be rooted in genuine history.

In terms of plot, I love reading crime and have done since I was ten. I tend to think ‘would I guess the killer? And if so, would I guess why?’ and having read so much Golden Age crime is a real help in terms of pacing and plot twists. 

With three crime novels in the works, have you planned out all of them in one go? Or will you wing it?

No, one at time, although I do have a rough idea of the general themes of each one. I’ve just written the plot synopsis for book three, so I’ve done the hard work. Now I just have to write it.

Read more interviews – Joe McGann’s sober companion: an interview about an intervention

Many writers find inspiration from other art forms, like music or visual art. Are there any unexpected sources that have influenced your approach to crime fiction?

Yes. I think being a journalist means you’re interested in lots of different things, and I love a bit of culture. There’s reference to the arts in all of the books so far. I love researching the cultural aspects of life in the war – what they’d have seen in galleries, or at the pictures, and what music and theatre they’d enjoy. I spend a lot of time on YouTube doing ‘research.’

And of course, Edie herself is an avid reader of crime novels, so that’s fun too. Though I have to check the publishing dates to make sure she’d have been able to get them from Boots lending library. 

As you’ve transitioned into novel writing, have you discovered any surprising challenges or unexpected joys that differ from your previous work?

It’s all joy so far, apart from structural edits, which mean changing bits around like a Chinese puzzle, only to find your small alteration has messed up an entire sequence of chapter. Other than that though, I love everything about writing novels. It really is the dream. All I want in life is to be left alone to make stuff up. And to make enough money to run an animal sanctuary for abandoned cats, dogs, horses, donkeys, pygmy goats…

Writing can be a solitary endeavour. Do you find opportunities to connect with other writers or readers to discuss your ideas and thoughts? Or just crack on alone?

Being a freelance journalist is pretty solitary these days too. It’s not like when I began back in the ‘90s, when I was going all over town interviewing people in their living rooms. I love people and like to think I have lots of friends, but not when I’m working. I’m extremely solitary as a writer, like some toiling spider in a dark corner. 

It’s not like when I began back in the ‘90s, going all over town interviewing people in their living rooms

I can’t imagine being in writer’s groups and getting ‘feedback.’ Other people’s opinions are the kiss of death, and make me doubt myself. I’d much rather crack on, then find out what they think after it’s published! 

I don’t even like writing in public places like cafes. The noise! And the people! I’m much happier with a cup of tea and deafening silence. Apart from the pets snoring.

Crime novels often explore the darker aspects of human nature. How do you approach delving into these themes while keeping the narrative engaging and not overly grim?

‘Cosy’ crime is a very specific genre – there are rules. You can’t kill children or pets, and you don’t want anything too grisly at the murder scene. It’s more interesting to me to look at the psychological factors at play with crime, than peer at viscera on the pathologist’s slab. I’d always rather watch Endeavour than Silent Witness. So, I adhere to the principle of ‘if the audience doesn’t need to see it, don’t show it.’ 

Can you share a pivotal moment or realisation that pushed you to pursue crime fiction as the genre for your novels?

It’s what I love most as a reader. I think for a long time I was scared to attempt it. I knew nothing about the police or prison, and I wasn’t sure I could make it authentic in any way. Then I realised I could set it in the past, and suddenly I felt freed up to write the sort of book I would love to read.

I think it really began, though, in the school library when I was eleven. I was lurking in there one rainy lunchtime, and came across the Agatha Christie classic, The Murder of Roger Ackroyd. Well, it blew me away. I had never read anything so gripping or surprising. 

My wonderful grandma was a huge classic crime fan, and she introduced me to the rest of Christie, and then Sherlock Holmes stories, and Ruth Rendell. I have loved crime novels ever since, and always dreamed of writing one. I think most crime fans really love the fact that within the boundaries of a novel, calm is brought to chaos. The world is an alarming and random place, but a great crime novel narrates the pursuit of truth and justice, and ends with the case closed. It all goes back to my holiday packing, really. I like calmness and order. And I like to know everything.

In a rapidly evolving literary landscape, what do you hope your crime novels bring to readers that sets them apart and makes them memorable?

I hope they’ll invest in the character of Edie, and in her life during wartime. It’s not so long ago, but in many ways it was such a different world. I’ve tried to bring some lightness to it, as well as the darkness. My grandparents lived through the war and were both very funny. I think a lot of WWII set books overlook the fact that people made jokes, and had little irritations about queuing and sandwiches, as well as dealing with the big things. So I hope the characters feel real, and that the Manchester setting is a reminder that the war didn’t just happen in London. It was everywhere, and everyone suffered in different ways. 

I hope they enjoy trying to solve the mysteries that Edie finds herself wandering into, and lastly, I hope they like the dog. Of course I had to include one. 

Murder in the Blitz by F.L. Everett is available for purchase on 21 September as in paperback, audio, and ebook. 

Sam Harrington-Lowe

Sam is Silver’s founder and editor-in-chief. She’s largely responsible for organising all the things, but still finds time to do the odd bit of writing. Not enough though. Send help.

The post Murder in the Blitz – Interview with Flic Everett appeared first on Silver Magazine.

I’ve been trying to come up with decent romantic novels, and despite a degree in Eng Lit and thirty-six years’ experience as a book reviewer, I can’t think of a single one. I mean, apart from the obvious one.

In fact, you can probably come up with the top three yourself. (Google will deliver the same three if you can’t be bothered to do it yourself). The other two are Wuthering Heights and Jane Eyre, which seems to me to be stretching the concept of ‘romance’ somewhat.

Dickens, Thackeray, Trollope, even Austen and Eliot, are all wonderful writers, but their work is founded in wish fulfilment

Looking at lists generated by an internet search can be a dismal affair for those who take their literature seriously. I looked at the results of a poll conducted by National Public Radio (NPR), the worthy non-commercial sector of American broadcasting, and it was quite the eye-opener.

NPR persuaded 18,000 people to write in with their suggestions and, scrolling down the lists (there are several categories: historical, paranormal, what have you) I find myself looking at a lot of book covers showing muscled hunks and bosomy women in revealing dresses. Revealing, either because they are marvellous satin ballgowns, or because they have become somewhat décolleté after a romp in a haystack. Always a haystack. And if not a haystack, then a stable. Where there is, of course, hay.

Every single one of them is by a woman. Or says they are. I suspect there may be a few men writing under pseudonyms in this racket. Here are some picks from the top of the deck (the ‘historical’ section).

Ravished, by Amanda Quick: “Fossil-hunting rector’s daughter Harriet Pomeroy summons the notorious Viscount St. Justin to sleepy Upper Biddleston …”

Lord of Scoundrels (part of the Scoundrels series) by Loretta Lynda Chase (“… stands out for the matchless banter between gruff, unruly Sebastian Ballister, Marquess of Dain, and his lovely nemesis Jessica Trent …”)

The Rules of Scoundrels, also a series, by Sarah MacLean, is about “four notorious aristocrats”, who learn that “love has a way of offering absolution”.

I could go on, but then you might think I’m deliberately taking the mickey. I am not. Do you begin to see a pattern here? Maybe one or more of these is one of your favourites. And maybe, despite superficial similarities, each one of the novels I have mentioned is a tour-de-force of originality.

It was while I was thinking about this subject that I read an article by the great critic, John Lanchester, in which he articulated something that had been bothering me for decades. “The reader whose idea of the novel is formed by the English canon may at some stage start to read books in the French tradition.

“At that point, it may suddenly seem that everything one has previously read has essentially been children’s literature. Dickens, Thackeray, Trollope, even Austen and Eliot, are all wonderful writers, but their work is founded in wish fulfilment, happy endings and love conquering all … When you turn from that tradition to the work of Laclos, Flaubert, Balzac, Stendhal, Maupassant and Proust, it’s like getting a glass of ice water in the face.”

He’s right. The so-called romantic novels mentioned above cannot really be counted as literature, that’s obvious; putting Dickens etc into an adjacent camp is, to say the least, audacious. But it’s a thought that’s very hard to shake off once you’ve come across it. (In the same essay I’ve quoted from above, Lanchester mentions the doyenne of English romantic novelists, Barbara Cartland, who “wrote 723 books in total. Nobody cares, because they’re all shit.”)

When I read Madame Bovary, it kind of inoculated me from every romantic feeling that fiction had to offer

I struggle to think of any novel in English literature where I have been affected by a central romance. Possibly I moped after Estella in Great Expectations for a bit. I remember thinking, while wading, heavy-footed, through Middlemarch, “what’s so bad about Casaubon? He’s a serious scholar, for goodness’ sake.”

I remember reading Evelyn Waugh’s A Handful of Dust when I was a teenager and falling in love with Brenda Last. If you do not know the work, Brenda Last is a shockingly poor choice of woman. Based on his own unfaithful first wife, Waugh portrayed a woman so vain and thoughtless and selfish that she sobs with relief when she finds out that it is her son, and not the worthless lover who shares his first name, who has died in a hunting accident. But I was in love, from a distance, at the time, and I thought women were simply like that.

When I read Madame Bovary, it kind of inoculated me from every romantic feeling that fiction had to offer. And I think that was precisely Flaubert’s intention.

So I am afraid I cannot offer any advice for Valentine’s Day reading. I presume everyone here has read Pride and Prejudice? That’s your lot, as English romantic novels go.

Try Lezard’s holiday reads

Nicholas Lezard

Nicholas Lezard has been a freelance writer since God was a boy. He writes the Down and Out column for the New Statesman, and lives in Brighton.

The post Lezard’s best romantic novels for Valentine’s Day – or not… appeared first on Silver Magazine.